Innovative and lavishly illustrated, Painting the Gospel offers an
indispensable contribution to conversations about African American art,
theology, politics, and identity in Chicago. Kymberly N. Pinder escorts
readers on an eye-opening odyssey to the murals, stained glass, and
sculptures dotting the city's African American churches and
neighborhoods. Moving from Chicago's oldest black Christ figure to
contemporary religious street art, Pinder explores ideas like blackness
in public, art for black communities, and the relationship of
Afrocentric art to Black Liberation Theology. She also focuses attention
on art excluded from scholarship due to racial or religious
particularity. Throughout, she reflects on the myriad ways private black
identities assert public and political goals through imagery.
Painting the Gospel includes maps and tour itineraries that allow
readers to make conceptual, historical, and geographical connections
among the works.