This key text is an in-depth analysis of contemporary interdisciplinary
painting. It derives from an investigation into the philosophy of Gilles
Deleuze and issues a challenge to the medium-specific limitations of
previous formalisms. The ideas contained within re-negotiate the
theorisation and realisation of painting by proposing a commonality with
Bergsonian and Deleuzian motifs of the virtual. In particular, this
challenging work puts forward ideas of change and the new in relation to
Deleuzian becomings, presenting new methods for contemporary painting.
By incorporating current architectural theories in relation to concepts
of spatiality and duration, it constitutes the reterritorialisation of
both painting and thinking as practices and will be of benefit to
practitioners and theoreticians engaged with the visual arts.