Painted Fires, first published in 1925, narrates the trials and
tribulations of Helmi Milander, a Finnish immigrant, during the years
approaching the First World War. The novel serves as a vehicle for
McClung's social activism, especially in terms of temperance, woman
suffrage, and immigration policies that favour cultural assimilation. In
her afterword, Cecily Devereux situates Painted Fires in the context
of McClung's feminist fiction and her interest in contemporary questions
of immigration and "naturalization." She also considers how McClung's
representation of Helmi Milander's story draws on popular culture
narratives.