This innovative study finds that, through his unique representation of
violence, Argentine director Pablo Trapero has established himself as
one of the 21st century's distinctly political filmmakers. By examining
the broad concept of violence and how it is represented on-screen,
Douglas Mulliken identifies and analyzes the ways in which Trapero
utilizes violence, particularly Zizek's concept of objective violence,
as a means through which to mediate the political
Through a focus on several previously under-studied elements of
Trapero's films, Mulliken highlights the ways in which the director's
work represents present-day concerns about social inequalities and
injustice in neoliberal Argentina on-screen. Finally, he examines how
Trapero combines aspects of Argentina's long tradition of political film
with elements of Nuevo Cine Argentino to create a unique political
voice.