In the early decades of the twentieth century, almost everyone in modern
theater, literature, or film knew of Otto Kahn (1867-1934), and those
who read the financial press or followed the news from Wall Street could
scarcely have missed his name. A partner at one of America's premier
private banks, he played a leading role in reorganizing the U.S.
railroad system and supporting the Allied war effort in World War I. The
German-Jewish Kahn was also perhaps the most influential patron of the
arts the nation has ever seen: he helped finance the Metropolitan Opera,
brought the Ballets Russes to America, and bankrolled such promising
young talent as poet Hart Crane, the Provincetown Players, and the
editors of the Little Review.
This book is the full-scale biography Kahn has long deserved. Theresa
Collins chronicles Kahn's life and times and reveals his singular place
at the intersection of capitalism and modernity. Drawing on research in
private correspondence, congressional testimony, and other sources, she
paints a fascinating portrait of the figure whose seemingly incongruous
identities as benefactor and banker inspired the New York Times to dub
him the "Man of Velvet and Steel."