Today, the question of the origins of Christian aesthetics is no longer
a topical issue in medieval art history, although a persuasive answer
has never been formulated. One of the reasons for this oblivion deals
with the looming figure of Josef Strzygowski, who published his pivotal
volume Orient oder Rom in 1901, now discredited for its racial and
proto-Nazi ideas. However, the debate does not concern Strzygowski
alone: the prodromes of this critical concept go back to the nineteenth
century, when the Russian, Austro-Hungarian and Ottoman empires fought
to control contested territories, and studies of the humanities mirrored
these conflicts. This volume, originating in the urgency to reflect on
this pivotal conundrum in our field, attempts to reconstruct the
(mis)fortune of a question that, according to Alois Riegl, "is the most
important and most trenchant one in the entire history of mankind to
date".