The intellectual offspring of Ionesco, Beckett, and Pinter, Walter Wykes
is proof that the Theatre of the Absurd lives on. In his plays, he
creates a series of modern myths, tapping into something in the strata
of the subconscious, through ritualism and rich, poetic language. The
worlds he creates are brand new, and hilarious, yet each contains an
ancient horror we all know and cannot escape and have never been able to
hang one definitive word on. "The Worker" explores the life of a young
woman who fashions a fake child to help her cope with the loneliness she
endures each day while her husband is away at work. "Family 2.0" tells
the story of a man who invades a stranger's home and attempts to
convince the family he finds there to accept him as their new
husband/father. "The Spotted Man" follows the trials of a man cursed
with a strange disease that may signal the end of the human race. Also
included are "Cherry Bizarre" and "The Tragical Tale of Melissa McHiney
McNormous McWhale."