On the Other Side(s) of 150 explores the different literary,
historical and cultural legacies of Canada's sesquicentennial
celebrations. It asks vital questions about the ways that histories and
stories have been suppressed and invites consideration about what
happens once a commemorative moment has passed.
Like a Cubist painting, this modality offers a critical strategy by
which also to approach the volume as dismantling, reassembling, and
re-enacting existing commemorative tropes; as offering multiple,
conditional, and contingent viewpoints that unfold over time; and as
generating a broader (although far from being comprehensive) range of
counter-memorial performances.
The chapters in this volume are thus provisional, interconnected, and
adaptive: they offer critical assemblages by which to approach
commemorative narratives or showcase lacunae therein; by which to return
to and intervene in ongoing readings of the past from the present
moment; and by which not necessarily to resolve, but rather to
understand the troubled and troubling narratives of the present moment.
Contributors propose that these preoccupations are not a means of
turning away from present concerns, but rather a means of grappling with
how the past informs or is shaped to inform them; and how such concerns
are defined by immediate social contexts and networks.