It is only recently, with the increasing interest in origami and folding
in natural sciences and the humanities, that the fold as a new concept
in a whole range of disciplines has begun to be thought of in a broader
way. Folding as a material and structural process offers a new
methodology to think about the close relationship of matter, form, and
code. It undoes old dichotomies, such as the organic and the inorganic
or nature and technology, and blurs the boundaries between experimental,
conceptual, and historical approaches. This anthology aims to unfold
this new interdisciplinary field and its disciplinary impact, ranging
from materials science, biology, architecture, and mathematics to
literature and philosophy.