FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY
A brilliant second collection by Sally Wen Mao on the violence of the
spectacle--starring the film legend Anna May Wong
In Oculus, Sally Wen Mao explores exile not just as a matter of
distance and displacement but as a migration through time and a
reckoning with technology. The title poem follows a nineteen-year-old
girl in Shanghai who uploaded her suicide onto Instagram. Other poems
cross into animated worlds, examine robot culture, and haunt a
necropolis for electronic waste. A fascinating sequence spanning the
collection speaks in the voice of the international icon and first
Chinese American movie star Anna May Wong, who travels through the
history of cinema with a time machine, even past her death and into the
future of film, where she finds she has no progeny. With a speculative
imagination and a sharpened wit, Mao powerfully confronts the paradoxes
of seeing and being seen, the intimacies made possible and ruined by the
screen, and the many roles and representations that women of color are
made to endure in order to survive a culture that seeks to consume them.