Goncharov's novels have been popular in Russia since their publication,
and Oblomov, the central character of his most famous novel, has become
the prototype of a fat and lazy man. Milton Ehre offers new
interpretations of the complex personality of Goncharov and shows how in
many ways Oblomov was a self-portrait of his creator. The introductory
chapter neither idealizes Goncharov nor glosses over his weaknesses but
shows a sensitive understanding of this major nineteenth-century Russian
writer.
The author goes beyond the standard critical clichés about Goncharov to
a contemporary reading of his entire artistic production. Proceeding
from the assumption that meanings in art are intimately related to
forms, he discusses Goncharov's works with close attention to style,
structure, and distinctions of genre, to arrive at an understanding of
Goncharov's themes and his view of experience. Milton Ehre's extensive
knowledge of the Russian literature on Goncharov and his own literary
sensitivity combine to provide a new understanding of Goncharov and his
novels.
Originally published in 1974.
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