The Basilica of Sant'Ambrogio in Milan, originally built under Ambrose
(374-397), and radically restructured at the end of the eleventh
century, is an extraordinary lieu de memoire, containing the presence of
medieval objects and monuments. Through the study of some of the
renowned works conserved in the basilica, among which the chapel of San
Vittore in Ciel d'Oro, the golden altar, and the St Ambrose ciborium,
this book deals with the interaction between the building's topology and
its objects, the relics around which the basilica was built, and the
notion of 'migrants'. The aim, in other words, is to analyze, over the
longue duree, how some objects became a reflection of the relics, and
how the material sanctity stemming from them was used as an instrument
of exclusion and inclusion in a problematic ethnic context. Dedicated
photographic documentation, carried out specifically for this work,
offers rich and sumptuous iconographic material underpinning the volume.