Dan Graham began directing the John Daniels Gallery (New York) in 1964,
where he put on Sol LeWitt's first one-man show. In the group shows he
organised he exhibited the works of Donald Judd, Dan Flavin, and Robert
Smithson. Like these artists, Graham considered himself a writer-artist.
His earliest work dealt with the magazine page, and one of his seminal
early works was a series of magazine-style photographs with text, Homes
for America (1966-1967). Focusing on cultural phenomena, and
incorporating photography, video, performance, glass and mirror
structures, Dan Graham's practice has become a key part of the
Conceptual art canon. This volume brings together texts written on
various artists he admires, as well as interviews collected since the
1990s, most notably on his large-scale installations incorporating
mirrors - a culmination of his long examination of the psychological
relationship between people and architecture.