In this valuable book, Hanna M. Roisman provides a uniquely
comprehensive look at Euripides' Hippolytus. Roisman begins with an
examination of the ancient preference for the implicit style, and
suggests a possible reading of Euripides' first treatment of the myth
which would account for the Athenian audience's reservations about his
Hippolytus Veiled. She proceeds to analyze significant scenes in the
play, including Hippolytus' prayer to Artemis, Phaedra's delirium,
Phaedra's confession speech, and the interactions between Theseus and
Hippolytus. Concluding with a discussion of the meaning of the tragic in
Hippolytus, Roisman questions the applicability in this case of the idea
of the tragic flaw. Nothing Seems as It Is includes extensive
comparisons of Euripides' play with the Phaedra of Seneca. This is a
very important book for students and scholars of Greek tragedy,
literature, and rhetoric.