In Not to Read, Alejandro Zambra outlines his own particular theory of
reading that also offers a kind of blurry self-portrait, or literary
autobiography. Whether writing about Natalia Ginzburg, typewriters and
computers, Paul Léautaud, or how to be silent in German, his essays
function as a laboratory for his novels, a testing ground for ideas,
readings and style. Not to Read also presents an alternative pantheon
of Latin American literature - Zambra would rather talk about Nicanor
Parra than Pablo Neruda, Mario Levrero than Gabriel García Márquez. His
voice is that of a trusted friend telling you about a book or an author
he's excited about, how he reads, and why he writes. A standard-bearer
of his generation in Chile, with Not to Read Alejandro Zambra confirms
he is one of the most engaging writers of our time.