Nobody's Nation offers an illuminating look at the St. Lucian,
Nobel-Prize-winning writer, Derek Walcott, and grounds his work firmly
in the context of West Indian history. Paul Breslin argues that
Walcott's poems and plays are bound up with an effort to re-imagine West
Indian society since its emergence from colonial rule, its ill-fated
attempt at political unity, and its subsequent dispersal into tiny
nation-states.
According to Breslin, Walcott's work is centrally concerned with the
West Indies' imputed absence from history and lack of cohesive national
identity or cultural tradition. Walcott sees this lack not as
impoverishment but as an open space for creation. In his poems and
plays, West Indian history becomes a realm of necessity, something to be
confronted, contested, and remade through literature. What is most vexed
and inspired in Walcott's work can be traced to this quixotic
struggle.
Linking extensive archival research and new interviews with Walcott
himself to detailed critical readings of major works, Nobody's Nation
will take its place as the definitive study of the poet.