Saartje Baartman (c.1788-1815/16) was a black South African woman who
became known as the Hottentot Venus when she was exhibited in London and
Paris because of her protruding buttocks. This book examines two very
different types of representations of Baartman. The first chapter looks
critically at images that were produced during Baartman's lifetime,
focusing primarily on cartoons and ethnographic drawings. The
representational strategies used in these images are compared to those
used in eighteenth-century representations of female slaves. In later
chapters the author discusses the contemporary black artists who are
producing art inspired by Baartman in order to problematize the racist
and sexist assumptions that are still being made about black women
today. Some of these artists have represented Baartman with their own
bodies, while others have chosen to avoid representing her body
entirely. The book's methodological approach is informed by important
research done by white feminist art historians, as well as that by black
feminist theorists and post-colonial scholars concerned with the visual
culture of slavery and racist stereotypes.