This book repositions thinking about rhythm, meter and versification
during the "Mechanical Age." Cutting across disciplinary boundaries, the
book examines the rhythmical workings of poems alongside not only
Victorian theories of prosody and poetics but also contemporary thinking
about labor practices, pedagogical procedures, scientific experiments,
and technological innovations. By offering an exploded definition of
meter--one that extends beyond conventional foot-based scansion--this
book explicates the conceptual and, at times, material exchanges between
poetic meter and machine culture. The machines of meter include
mid-century theories of abstraction and technologies of smoothness and
even spacing; a deeply influential, though rarely credited, system of
metrical manufacture; verse produced by a Victorian automaton; the
mechanics of the human body and mind and the meters that issued from
them; and the promise of scientific machines to resolve metrical
dilemmas once and for all.