This study explores the role of fiction in the social production of the
West Central district of London in the nineteenth century. It tells a
new history of the novel from a local geographical perspective, tracing
developments in the form as it engaged with Bloomsbury in the period it
emerged as the city's dominant literary zone. A neighbourhood that was
subject simultaneously to socio-economic decline and cultural ascent,
fiction set in Bloomsbury is shown to have reconceived the area's
marginality as potential autonomy. Drawing on sociological theory, this
book critically historicizes Bloomsbury's trajectory to show that its
association with the intellectual "fraction" known as the 'Bloomsbury
Group' at the beginning of the twentieth century was symptomatic rather
than exceptional. From the 1820s onwards, writers positioned themselves
socially within the metropolitan geography they projected through their
fiction. As Bloomsbury became increasingly identified with the cultural
capital of writers rather than the economic capital of established
wealth, writers subtly affiliated themselves with the area, and the
figure of the writer and Bloomsbury became symbolically conflated.