Daisy Miller and The Turn of the Screw may be Henry James's most widely
read tales. Certainly, these swiftly moving accounts of failed
connections are among the best examples of his shorter fiction. One
represents the international theme that made him famous; the other
exemplifies the multiple meanings that make him modern. The introduction
to this 1993 volume locates his fiction in the context of the family
that conditioned his concern with the sexual politics of intimate
experience. In the four essays that follow, Kenneth Graham offers a
close reading of Daisy with an emphasis on Daisy; Robert Weisbuch
examines Winterbourne as a specimen of James's formidable bachelor type;
Millicent Bell places the ghost story governess in the traditions of
English fiction and society; David McWhirter then provides a critique of
female authority. Deftly summarising earlier criticism, these essays
demonstrate the continuing appeal of Henry James in our time.