Launching into new territory that the author hadn't mapped out when he
embarked on the series, NEKOMONOGATARI (White) tells the tale of heroine
Tsubasa Hanekawa from her own perspective, in her own voice--if that can
hold true for a damaged soul who, depending on who you're asking,
suffers from a split personality or a supernatural aberration.
The bone-chilling brokenness of her household, where father and mother
and daughter keep three separate sets of cookware in the same kitchen
and only ever prepare their own meals, and the profound darkness
nurtured in the genius schoolgirl's heart, come to life, if that is the
word, through her self-vivisection.
As for our customary unreliable narrator, Araragi, we seem to learn
revealing tidbits about him now that we have an outside view of him at
last, while his lady friends Senjogahara, Hachikuji, et al, freed from
his predilection for proudly inane banter, show subtly new faces to us
via their female interlocutor. Welcome to the Second Season.