This book explores the utopian imagination in contemporary American
poetry and the ways in which experimental poets formulate a utopian
poetics by adopting the rhetorical principles of negative theology,
which proposes using negative statements as a means of attesting to the
superior, unrepresentable being of God. With individual chapters on
works by such poets as Susan Howe, Nathaniel Mackey, Charles Bernstein,
and Alice Notley, this book illustrates how a strategy of negation
similarly proves optimal for depicting the subject of utopia in literary
works.
Negative Theology and Utopian Thought in Contemporary American Poetry:
Determined Negations contends that negative statements in experimental
poetry illustrate the potential for utopian social change, not by
portraying an ideal world itself but by revealing the very challenge of
representing utopia directly.