In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking
film director churning out so-called program pictures for Japan's most
successful movie studio, Nikkatsu. In the early 1960s, he met with
modest success in directing popular movies about yakuza gangsters and
mild exploitation films featuring prostitutes and teenage rebels. In
this book, Peter A. Yacavone argues that Suzuki became an unlikely
cinematic rebel and, with hindsight, one of the most important voices in
the global cinema of the 1960s. Working from within the studio system,
Suzuki almost single-handedly rejected the restrictive filmmaking norms
of the postwar period and expanded the form and language of popular
cinema. This artistic rebellion proved costly when Suzuki was fired in
1967 and virtually blacklisted by the studios, but Suzuki returned
triumphantly to the scene of world cinema in the 1980s and 1990s with a
series of critically celebrated, avant-garde tales of the supernatural
and the uncanny. This book provides a well-informed, philosophically
oriented analysis of Suzuki's 49 feature films.