Nazi Literature in the Americas was the first of Roberto Bolano's
books to reach a wide public. When it was published by Seix Barral in
1996, critics in Spain were quick to recognize the arrival of an
important new talent. The book presents itself as a biographical
dictionary of American writers who flirted with or espoused extreme
right-wing ideologies in the twentieth and twenty-first centuries. It is
a tour de force of black humor and imaginary erudition.
Nazi Literature in the Americas is composed of short biographies,
including descriptions of the writers' works, plus an epilogue (for
Monsters), which includes even briefer biographies of persons mentioned
in passing. All of the writers are imaginary, although they are all
carefully and credibly situated in real literary worlds. Ernesto Pérez
Masón, for example, in the sample included here, is an imaginary member
of the real Orígenes group in Cuba, and his farcical clashes with José
Lezama Lima recall stories about the spats between Lezama Lima and
Virgilio Pinera, as recounted in Guillermo Cabrera Infante's Mea Cuba.
The origins of the imaginary writers are diverse. Authors from twelve
different countries are included. The countries with the most
representatives are Argentina (8) and the USA (7).