This book is about how the marketing of transnational cultural
commodities capitalizes on difference and its appeal for cosmopolitan
consumers in our postmodern globalized world. At what price? What
ethical and political conundrums does the artist/writer/reader confront
when going global? This volume analyzes why difference - whether gender,
sexual, racial, ethnic, or linguistic - has become such a prominent
element in the contemporary cultural field, and the effects of this
prevalence on the production, circulation and reception of cultural
commodities in the context of globalization. At the intersection of
globalization, diaspora, postcolonial and feminist studies in world
literature, these essays engage critically with a wide variety of
representative narratives taken from diverse cultural fields, including
humanitarian fiction, multilingual poetry, painting, text-image art,
performance art, film, documentary, and docu-poetry. The chapters
included offer counter-readings that disrupt hegemonic representations
of cultural identity within the contemporary, neoliberal and globalized
landscape.