Narcissistic mothers are an important motif in modernist literature.
Tracing its appearance in the works of writers such as D.H. Lawrence and
Virginia Woolf, this book questions the dichotomous image of either
benevolent or suffocating mother, which has pervaded religion, art, and
literature for centuries. Instead of focusing on the mother-child dyad
as characterized primarily by maternal domination and the child's
submission, Marie Géraldine Rademacher insists on the definitional
nuances of the term "narcissism" and considers the political and
socioeconomic context of the time in shaping these women's narcissistic
behavior. The study thus inspires a more positive (re)reading of the
protagonists.