While critics were calling him the harbinger of a troubled and new
Obscure movement, the generation that came of age during the Cultural
Revolution was taking his poems to heart. Nameless Flowers traces Gu
Cheng's work from the lurid early lyrics that made him a literary star
to the late expressions of dark beauty that predicted his second exile
and tragic death. Though rooted in classical Chinese poetry, Gu Cheng's
poems show traces of Western influences as diverse as Walt Whitman,
Federico Garcia Lorca, and entomologist Jean Henri Fabre. His poems
embrace animate and inanimate beings from the vast Chinese masses and
Mongolian plains to minuscule insects and pebbles. It is this
simultaneous vision of the little man and the faceless mass that has
made Gu Cheng one of China's most fervently loved poets.
Nameless Flowers includes memoirs by Gu Cheng and his father, writer
Gu Gong, which vividly recount the poet's path out of rural exile to the
Democracy Wall in Beijing and to the podiums of Berlin, London, and New
York. Fans of writers such as Li Po, Basho, Hans Christian Andersen,
Sylvia Plath, and Bei Dao, who was his friend, will readily recognize
the powers of this eclectic and mystic poet.