In an industry that celebrates extravagance and showmanship, Danish film
director Carl Th. Dreyer was a rarity, a man who guarded his privacy
fiercely and believed that film provided a way to understand human
nature by focusing on the individual person. Best known for his 1928
film The Passion of Joan of Arc, dominated by its emotionally harrowing
close-ups of Joan during her trial, it was Dreyer who pioneered some of
the seminal techniques of modern film, techniques that would later be
made famous by better known contemporaries such as Sergei Eisenstein and
D.W. Griffith. Now, in My Only Great Passion, the first full-length
English language biography of Dreyer, Jean and Dale D. Drum restore his
reputation to its rightful place. Based on extensive and exclusive
interviews with both Dreyer and the people who worked with him-including
personal correspondence dating back to 1952-this biography provides the
most comprehensive critical examination to date of both Dreyer's life
and his approach to filmmaking. A valuable resource for film critics and
historians, those in the film industry, and university cinema
departments, as well as anyone with an interest in Danish art and
culture, My Only Great Passion provides long neglected insights into the
man who first raised European film above the level of entertainment and
placed it in the realm of art.