Jacques Rancière has continually unsettled political discourse,
particularly through his questioning of aesthetic "distributions of the
sensible," which configure the limits of what can be seen and said.
Widely recognized as a seminal work in Rancière's corpus, the
translation of which is long overdue,
Mute Speech is an intellectual tour de force proposing a new framework
for thinking about the history of art and literature. Rancière argues
that our current notion of "literature" is a relatively recent creation,
having first appeared in the wake of the French Revolution and with the
rise of Romanticism. In its rejection of the system of representational
hierarchies that had constituted belles-letters, "literature" is founded
upon a radical equivalence in which all things are possible expressions
of the life of a people. With an analysis reaching back to Plato,
Aristotle, the German Romantics, Vico, and Cervantes and concluding with
brilliant readings of Flaubert, Mallarmé, and Proust, Rancière
demonstrates the uncontrollable democratic impulse lying at the heart of
literature's still-vital capacity for reinvention.