Jacques Rancière has continually unsettled political discourse,
particularly through his questioning of aesthetic "distributions of the
sensible," which configure the limits of what can be seen and said.
Widely recognized as a seminal work in Rancière's corpus, the
translation of which is long overdue, Mute Speech is an intellectual
tour de force proposing a new framework for thinking about the history
of art and literature. Rancière argues that our current notion of
"literature" is a relatively recent creation, having first appeared in
the wake of the French Revolution and with the rise of Romanticism. In
its rejection of the system of representational hierarchies that had
constituted belles-letters, "literature" is founded upon a radical
equivalence in which all things are possible expressions of the life of
a people. With an analysis reaching back to Plato, Aristotle, the German
Romantics, Vico, and Cervantes and concluding with brilliant readings of
Flaubert, Mallarmé, and Proust, Rancière demonstrates the uncontrollable
democratic impulse lying at the heart of literature's still-vital
capacity for reinvention.