This book explores the exchange of music, musicians and musical practice
between Britain and the Continent in the period c.1500-1800.
This book explores the exchange of music, musicians and musical practice
between Britain and the Continent in the period c.1500-1800. Inspired by
Peter Holman's research and performing activities, the essays in the
volume developthe theme of exchange and dialogue through the lenses of
people, practices and repertory and consider the myriad ways in which
musical culture participated in the dynamic relationship between Europe
and Britain. Key areas addressed are music and travel; music publishing;
émigré musicians; performing practice; dissemination of music and
musical practice; and instruments. Holman's work has revealed the
mechanisms by which continental practices were adapted to local
circumstances and has helped to show that Britain enjoyed a vigorous
musical culture in the long eighteenth century, in which native
proponents produced original works of quality and interest and did not
simply copy continental models. Following avenues opened up by Holman'
scholarship, contributors to this volume explore a variety of ways in
which the cross-fertilization of music and musicians has enriched
European, and especially British, cultureof the early modern period.