Part I Introduction.- Chap. 1 What the Book Is About.- Chap. 2
Oniontology.- Part II Practice.- Chap. 3 The Tutorial.- Chap. 4
Leitfaden.- Chap. 5 The General Method of Creativity.- Chap. 6 Getting
off the Ground.- Chap. 7 Motivational Aspects.- Chap. 8 Rhythmical
Aspects.- Chap. 9 The Pitch Aspect.- Chap. 10 The Harmonic Aspect.-
Chap. 11 Melodic Aspects.- Chap. 12 The Contrapuntal Aspect.- Chap. 13
Instrumental Aspects.- Chap. 14 Large Form Aspects.- Chap. 15 Community
Aspects.- Chap. 16 Commercial Aspects.- Chap. 17 Dodecaphonic Aspects.-
Part III Theory.- Chap. 18 Principles of Creative Pedagogy.- Chap. 19
Material.- Chap. 20 Historical Principles.- Chap. 21 Present
Principles.- Chap. 22 Our Principles.- Chap. 23 First Examples.- Chap.
24 Psychological Perspectives.- Chap. 25 Software.- Chap. 26 Composition
and Improvisation.- Part IV Case Studies.- Chap. 27 Ludwig van
Beethoven's Op109: Six Variations.- Chap. 28 Beethoven's Op109:
Improvisational Aspects.- Chap. 29 Our CD.- Chap. 30 Boulez: Structures
Recomposed.- Chap. 31 The Escher Theorem.- Part V Future Perspectives.-
Chap. 32 Is There a General Scheme for Creativity?.- Chap. 33 The
Balanced Dancing Performer .- References.- Bibliography.