Since the early transformation of European music practice and theory in
the cultural centers of Asia, Latin America, and Africa around 1900,
music history has to be conceived globally - a challenge that musicology
has hardly faced yet. This book discusses the effects of cultural
globalization on processes of composition and distribution of art music
in the 20th and 21st centuries. Christian Utz provides the foundations
of a global music historiography, building on new models such as
transnationalism, entangled histories, and reflexive globalization. The
relationship between music and broader changes in society is placed at
the center of attention and considered a pivotal music-historical
dynamic.