Music in the Nineteenth Century examines the period from the Congress
of Vienna in 1815 to the advent of Modernism in the 1890s. Frisch traces
a complex web of relationships involving composers, performers,
publishers, notated scores, oral traditions, audiences, institutions,
cities, and nations. The book's central themes include middle-class
involvement in music, the rich but elusive concept of Romanticism, the
cult of virtuosity, and the ever-changing balance between musical and
commercial interests. The final chapter considers the sound world of
nineteenth-century music as captured by contemporary witnesses and early
recordings.
Western Music in Context: A Norton History comprises six volumes of
moderate length, each written in an engaging style by a recognized
expert. Authoritative and current, the series examines music in the
broadest sense--as sounds notated, performed, and heard--focusing not
only on composers and works, but also on broader social and intellectual
currents.