Music is an important domain of application for schema theory. The
perceptual structures for pitch and timbre have been mapped via
schemata, with results that have contributed to a better understanding
of music perception. Yet we still need to know how a schema comes into
existence, or how it functions in a particular perception task. This
book provides a foundation for the understanding of the emergence and
functionality of schemata by means of computer-based simulations of tone
center perception. It is about how memory structures self-organize and
how they use contextual information to guide perception.