This book traces the role played by music within asylums, the
participation of staff and patients in musical activity, and the links
drawn between music, health, and wellbeing. In the first part of the
book, the author draws on a wide range of sources to investigate the
debates around moral management, entertainment, and music for patients,
as well as the wider context of music and mental health. In the second
part, a series of case studies bring to life the characters and contexts
involved in asylum music, selected from a range of public and private
institutions. From asylum bands to chapel choirs, smoking concerts to
orchestras, the rich variety of musical activity presents new
perspectives on music in everyday life. Aspects such as employment
practices, musicians' networks and the purchase and maintenance of
musical instruments illuminate the 'business' of music as part of moral
management. As a source of entertainment and occupation, a means of
solace and self-control, and as a device for social gatherings and
contact with the outside world, the place of music in the asylum offers
valuable insight into its uses and meanings in nineteenth-century
England.