Across countries and time, asylum-seekers and refugees have been
represented in a variety of ways. In some representations they appear
negatively, as dangers threatening to 'over-run' a country or a region
with 'floods' of incompatible strangers. In others, the same people are
portrayed positively, with compassion, and pictured as desperately in
need of assistance. How these competing perceptions are received has
significant consequences for determining public policy, human rights,
international agreements, and the realization of cultural diversity, and
so it is imperative to understand how these images are perpetuated. To
this end, this volume reflects on museum practice and the contexts,
stories, and images of asylum seekers and refugees prevalent in our mass
media.
Based on case studies from Australia, New Zealand, and the United
Kingdom, the overall findings are illustrative of narratives and images
common to museums and the media throughout the world. They aim to
challenge political rhetoric and populist media imagery and consider
what forms of dissent are likely to be sustained and what narratives
ultimately break through and can lead to empathy and positive political
change.