Longlisted for the 2018 National Book Award in Poetry
Winner of the National Poetry Series Competition, selected by
Cornelius Eady--an exploration in verse of imperial appropriation and
Mexican American cultural identity
Marvelous, argumentative, and curiosity-provoking --The New York
Times Book Review
The poems in J. Michael Martinez's third collection of poetry circle
around how the perceived body comes to be coded with the
trans-historical consequences of an imperial narrative. Engaging
beautiful and otherworldly Mexican casta paintings, morbid photographic
postcards depicting the bodies of dead Mexicans, the strange journey of
the wood and cork leg of General Santa Anna, and Martinez's own family
lineage, Museum of the Americas gives accounts of migrant bodies
caught beneath, and fashioned under, a racializing aesthetic gaze.
Martinez questions how knowledge of the body is organized through visual
perception of that body, hypothesizing the corporeal as a repository of
the human situation, a nexus of culture. Museum of the Americas'
poetic revives and repurposes the persecuted ethnic body from the
appropriations that render it an art object and, therefore, diposable.