Over fifty years ago, it became unfashionable--even forbidden--for
students of literature to talk about an author's intentions for a given
work. In Murder by Accident, Jody Enders boldly resurrects the
long-disgraced concept of intentionality, especially as it relates to
the theater.
Drawing on four fascinating medieval events in which a theatrical
performance precipitated deadly consequences, Enders contends that the
marginalization of intention in critical discourse is a mirror for the
marginalization--and misunderstanding--of theater. Murder by Accident
revisits the legal, moral, ethical, and aesthetic limits of the living
arts of the past, pairing them with examples from the present, whether
they be reality television, snuff films, the "accidental" live broadcast
of a suicide on a Los Angeles freeway, or an actor who jokingly fired a
stage revolver at his temple, causing his eventual death. This book will
force scholars and students to rethink their assumptions about theory,
intention, and performance, both past and present.