Revision with unchanged content. "The Human Stain" (2003), "Kinsey"
(2004), "Spanglish" (2004), and "Crash" (2005) are all American films
that were produced in the spirit of multi-cul-tu-ra-lism; each created
in an attempt to help Americans deal with and digest diversity. But do
they all celebrate diversity? And if they do celebrate diversity, what
is their approach? Film not only shapes but represents American culture,
and this work will explore representations of race, class, gender, and
sexuality within Hollywood cinema. Is Hollywood continuing to divide
Americans when it comes to race, class, gender, and sexuality, or are
they finally attempting to unite the nation? Moreover, this work will
trace the roots of multiculturalism and examine the role of
multiculturalism in the United States today, while at the same time
exploring Richard Rorty's concept of human solidarity.