A reference book for the musician's practical work of interpretation,
this volume, after a general presentation of 18th century principles for
determining a tempo, offers a compendium of all Mozart's autograph tempo
markings in 420 lists of pieces of similar character. Thus, a comparison
of slower and quicker movements is made possible by 434 music examples,
and there follows a wide-ranging collection of relevant texts taken from
historical sources. The book does not claim to know "the single correct
tempo" for the works of Wolfgang Amadeus Mozart. It hopes to be of
assistance in the unavoidable search by every interpreter for the "true
mouvement" of each work-for the work itself, for the performer, the
instrument or instruments, the room, the public, the nature of the
event. It follows that there can be no absolutely "authentic" tempo for
Mozart's works. And yet his tempo markings, since he chose them so
meticulously, should be taken equally seriously with the other
parameters of his famously precise notation.