This classic of music criticism provides detailed studies of 23 of
Mozart's piano concertos. In addition to establishing the lines along
which the genre developed, the concertos also shed light upon the
technical and inspirational growth of their creator.
The first full-length survey devoted to these works, this scholarly book
presents a full, concrete musical analysis that makes liberal use of
musical examples -- 417 in all -- and presents authoritative information
on the concertos' form, tone, style, and balance as well as the
circumstances of their composition. The author compares and contrasts
each piece with Mozart's other works and with compositions by Beethoven,
Haydn, and other composers. A definite text for musicologists,
performers, teachers, and students, this study's clarity and personable
tone make it accessible to any lover of Mozart's music.