the body / knows what / it truly / wants yet / the mind / wavers allIn
Edward Carson's provocative new work, the poetic moving parts of
movingparts confront and breathe new life into what's true and what's
not in Aesop's fable "The Fox and the Crow," as well as the shifting,
often fragmentary ground between what's said and what's not about
identity and intimacy in Sappho's lyrics.Reflecting the moment-to-moment
ways our minds think, these poems take us from a creative process of
disconnection and reassembly to a sonic pacing of words arising out of
their stillness on the page. A flair for syntactical compression is
found throughout, balanced by a capricious yet transforming diction,
what John Ashbery described as seeking to stretch "the bond between
language and communication." Calling witness to the narratives of
history while pivoting their reach forward to the present, the rhythms,
allusions, and resulting outcomes of Carson's use of language expand
both narrative and discovery. movingparts is brought full circle when an
unexpected historical connection between Sappho and Aesop is revealed,
hinting that what is true or false in the past or present of our lives
can arrive at an intimacy with and illumination of more than we imagine.