As the building blocks of moving pictures, photographs have played an
integral role in cinema since the dawn of the medium--a relationship
that has grown more complexly connected even as the underlying
technologies continue to evolve. Moving Frames explores the use of
photographs in German films from Expressionism to the Berlin School,
addressing the formal and narrative roles that photographs play as well
as the cultural and historical contexts out of which these films
emerged. Looking beyond and within the canon, the editors gather
stimulating new insights into the politics of surveillance, resistance,
representation, and collective memory functioning through photographic
rupture and affect in German cinema.