In Moving Environments: Affect, Emotion, Ecology, and Film,
international scholars investigate how films portray human emotional
relationships with the more-than-human world and how such films act upon
their viewers' emotions. Emotion and affect are the basic mechanisms
that connect us to our environment, shape our knowledge, and motivate
our actions. Contributors explore how film represents and shapes human
emotion in relation to different environments and what role time, place,
and genre play in these affective processes. Individual essays resituate
well-researched environmental films such as An Inconvenient Truth and
March of the Penguins by paying close attention to their
emotionalizing strategies, and bring to our attention the affective
qualities of films that have so far received little attention from
ecocritics, such as Stan Brakhage's Dog Star Man.
The collection opens a new discursive space at the disciplinary
intersection of film studies, affect studies, and a growing body of
ecocritical scholarship. It will be of interest not only to scholars and
students working in the field of ecocriticism and the environmental
humanities, but for everyone with an interest in our emotional responses
to film.