This book traces the influence of the changing political environment on
Czech art, criticism, history, and theory between 1895 and 1939, looking
beyond the avant-garde to the peripheries of modern art. The period is
marked by radical political changes, the formation of national and
regional identities, and the rise of modernism in Central Europe -
specifically, the collapse of Austria-Hungary and the creation of the
new democratic state of Czechoslovakia. Marta Filipová studies the way
in which narratives of modern art were formed in a constant negotiation
and dialogue between an effort to be international and a desire to
remain authentically local.