Despite meter's recasting as a rigid metronome, diverse modern
poet-critics refused the formal ideologies of free verse through complex
engagements with traditional versification.
In the twentieth century, meter became an object of disdain, reimagined
as an automated metronome to be transcended by new rhythmic practices of
free verse. Yet meter remained in the archives, poems, letters, and
pedagogy of modern poets and critics. In Modernism's Metronome, Ben
Glaser revisits early twentieth-century poetics to uncover a wide range
of metrical practice and theory, upending our inherited story about the
"breaking" of meter and rise of free verse.