Drawing upon medical journals, newspapers, propaganda, military
histories, and other writings of the day, Modernism, History and the
First World War reads such writers as Woolf, HD, Ford, Faulkner,
Kipling, and Lawrence alongside fiction and memoirs of soldiers and
nurses who served in the war. This ground breaking blend of cultural
history and close readings shows how modernism after 1914 emerges as a
strange but important form of war writing, and was profoundly engaged
with its own troubled history. Trudi Tate s a Fellow and Tutor of Clare
Hall, Cambridge, and author of The Silent Morning: Culture and Memory
After the Armistice (2013). 'Essential reading for anyone interested in
modernist fiction and war writing.'-Jane Potter, Oxford Brookes
University. 'This superb book opened up literary studies of the conflict
to a range of issues and approaches that have since become crucial to
the field'-Santanu Das, King's College London.