This book explores exile and utopia as correlated phenomena in Western
culture, arguing that they have engendered the exilic-utopian
imagination as one of the major components of the modern, power-oriented
mentality. Spariosu argues that utopian projects, whether religious or
socio-political, virtual or actual, are often generated by an exilic
consciousness that attempts to compensate for its groundlessness, which
it perceives negatively, as ontological lack or emptiness. The author
supports his argument with a wealth of examples, ranging from the Epic
of Gilgamesh, the Old Testament, Sophocles' Oedipus at Colonus and
Plato's dialogues in Antiquity to 20th century literary masterpieces
produced at the height of European Modernism, including Joseph Conrad's
Heart of Darkness, Arthur Koestler's Darkness at Noon, Aldous Huxley's
Brave New World, Thomas Mann's Joseph and his Brothers, and Mikhail
Bulgakov's The Master and Margarita.