This book is the first to take comedy seriously as an important aspect
of the popular mockumentary form of film and television fiction. It
examines the ways in which mockumentary films and television programmes
make visible--through comedy--the performances that underpin straight
documentaries and many of our public figures. Mockumentary Comedy
focuses on the rock star and the politician, two figures that regularly
feature as mockumentary subjects. These public figures are explored
through detailed textual analyses of a range of film and television
comedies, including A Hard Day's Night, This is Spinal Tap, The Thick
of It, Veep and the works of Christopher Guest and Alison Jackson. This
book broadens the scope of existing mockumentary scholarship by taking
comedy seriously in a sustained way for the first time. It ultimately
argues that the comedic performances--by performers and of documentary
conventions--are central to the form's critical significance and popular
appeal.